The groundbreaking dance company Dance Theatre of Harlem will bring its take on classical ballet to Bloomington at 8 p.m. Jan. 28.
Dance Theatre of Harlem encompasses a performing ensemble, an arts education center and Dancing Through Barriers, a national and international education and community outreach program. Each component of Dance Theatre of Harlem carries a solid commitment toward enriching the lives of young people and adults around the world through the arts.
Arthur Mitchell and Karel Shook founded Dance Theatre of Harlem in 1969, shortly after the assassination of the Rev. Martin Luther King Jr. Mitchell was inspired to start a school that would offer children, especially those in his native Harlem, the opportunity to learn about dance and the allied arts.
Now in its fourth decade, Dance Theatre of Harlem has grown into a multicultural dance institution with a legacy of providing opportunities for creative expression and artistic excellence. It has brought innovative forms of artistic expression to audiences in New York City, across the country and around the world.
“We at IU Auditorium are so pleased to present Dance Theatre of Harlem,” said IU Auditorium Director Doug Booher. “Not only are they singularly spectacular artists, we are inspired by their dedication to enriching communities and celebrating diversity through dance.”
A groundbreaking international exhibition at Indiana University’s Mathers Museum of World Cultures explores the cultural heritage of China through traditional quilts and other textiles.
“Quilts of Southwest China,” organized by a consortium of Chinese and American museums including the Mathers Museum, opens Jan. 21 and will feature 24 quilts.
“’Quilts of Southwest China’ is a beautiful exhibition,” said Jason Jackson, director of the Mathers Museum. “It is visually rich, but also rich in culture and rich in significance for our museum. The textiles on exhibition are eye-popping expressions of culture and creativity, and the diversity of peoples in southwest China is also a surprise to many American exhibition-goers. Additionally, it is exciting for our museum to publically share some of the ongoing work that we have been pursuing with our Chinese and American museum partners.”
Some ethnic groups in southwest China have a longstanding practice of creating bedcovers and other household items made of patchwork and applique, and the works displayed in the exhibition reflect this tradition. While ceremonial and aristocratic Chinese textiles have a long history of being collected and documented, researchers have only recently turned their focus to everyday objects, like patchwork bedcoverings.
The binational consortium worked together to document and research the textiles — art forms dating back over 3,000 years, but obscure outside certain ethnic minority communities in China. “Quilts of Southwest China” brings awareness about ethnic groups and textile traditions of southwest China. It also highlights the importance of documenting and researching traditional arts, as the research and collecting done for this exhibition provides some of the first documentation of the making and use of these textiles.
Straight No Chaser will be home for the holidays.
On Dec. 14, the group will return to Indiana University Auditorium and the campus where it all began 20 years ago.
“Being from here originally, I love playing at the auditorium,” said Charlie Mechling, one of the founding members. “It’s just such a great venue. It’s always a lot of fun, and it’s always a full house.”
Over the years, seasonal performances by Straight No Chaser have become a tradition in Bloomington, just like the lights around courthouse square and the giant candles that adorn the Indiana Memorial Union.
The latest visit by the a cappella ensemble is part of the “I’ll Have Another…World Tour” in support of the “I’ll Have Another…Christmas Album,” which dropped in October.
The new album is their sixth full-length album for Atlantic Records, and the third one devoted to holiday music. Among its 15 tracks are the hymn “Joy to the World,” familiar carols such as “Winter Wonderland” and “Have Yourself a Merry Little Christmas,” as well as Mariah Carey’s more recent offering “All I Want for Christmas Is You.”
Back to Bloomington
The album’s creation marked another homecoming for Straight No Chaser, with recording sessions taking place in Bloomington over the summer.
At that time, Mechling sat down for a conversation — and a few nostalgic glances back.
With the work on the album spanning nearly a month, he found himself sifting through old photos and articles about Straight No Chaser’s start here at Indiana University. “I haven’t been here for this long since college,” he said. Read more…
Entertainment and technology entrepreneur Todd Wagner spoke last week at IU Cinema as part of the Jorgensen Guest Filmmaker Lecture Series.
For Wagner, a 1983 graduate of Indiana University, the visit also was a chance to share his alma mater with his family.
“This campus is beautiful. It’s amazing,” he said. “I look back at (my time at IU), and those are some of the best years of my life, so it’s fun to come back and talk to folks.”
Wagner personally introduced the IU Cinema screening of “Good Night, and Good Luck,” a film he produced that was nominated for six Academy Awards in 2006.
Today, Wagner is CEO of 2929 Entertainment, a media company he owns with longtime business partner Mark Cuban.
Their company includes 2929 Productions, which creates independent feature films; Magnolia Pictures, a film distribution business; AXS TV, a high-definition cable and satellite network; and Landmark Theatres, a national chain of art-house cinemas with an outlet in Indianapolis.
In the late 1970s, however, Wagner didn’t know what he wanted to do in life. He came to IU and studied accounting in what is now the Kelley School of Business.
“You don’t know it at the time, but you’re starting your life’s journey and it’s making you an adult,” Wagner said. “It’s the whole experience. It’s not just the business school, it’s the social aspect, it’s the friends. … It was all those things rolled into one.”
For Wagner, serving as president of Kappa Sigma fraternity was an important lesson in leadership. “If you can lead your peers, you can lead just about anything,” he said. “When you’re eventually the boss, they have to listen to you. But when you’re not their boss and they still listen to you, you’ve accomplished something.”
Wagner has accomplished some things — some monumental things — over the course of his career.
In 1999, when he was still in his 30s, he and Cuban sold their pioneering online streaming company Broadcast.com to Yahoo for $5.7 billion.
Post courtesy of IU newsroom intern Sheila Raghavendran:
Like a skilled puppeteer, she gracefully infuses the orchestra with life, color and movement. With each sharp, smooth and affectionate gesture, she pulls the strings that run the show.
Tal Samuel is a doctoral student at the Jacobs School of Music and serves as assistant conductor at the IU Opera and Ballet Theater. She conducted the Fall Ballet performances Sept. 30 and Oct. 1, consisting of “Divertimento No. 15,” “World Premiere” and the short ballet “As Time Goes By.” She said that conducting from the pit is challenging because the conductor has to constantly control and react to the action both in the pit and on the stage.
“(In ballet) you are serving the dancers on the stage,” she said. “You are helping them and supporting their bodies with the music, in order to make what they need to do possible. The orchestra players don’t see what’s going on onstage, so in a way, I am their eyes, and I have to be able to adjust really quickly to anything going on onstage. It’s a lot of responsibility.”
Samuel, an international student from Israel, was asked this year to conduct the entire Fall Ballet after she conducted George Balanchine’s “Emeralds” in the 2014 production. She said that mastering and transitioning between the three distinct parts of the show was a feat that she and the orchestra devoted time to refining.
“You have the very classic Balanchine ballet with Mozart’s music (‘Divertimento No. 15’), then you’ve got ‘Saudade’ (‘World Premiere’) with this very modern kind of dance, with the Arvo Pärt music, which is almost religious, meditative,” Samuel said. “Then you have the Twyla Tharp choreography (for ‘As Time Goes By’), which is extremely modern and energetic, to music which is very classical, Haydn’s ‘Farewell’ symphony. So I think the variety is what made it extremely interesting and worth watching.”
Juggling multiple musical styles and guiding the show from the pit was something that Samuel was always passionate about. Growing up in Israel, she was introduced to music through the piano, and the viola soon after. She said she developed an interest in conducting after many years of playing in orchestras.
Post by IU Newsroom intern Amanda N. Marino:
When Lesley Koenig was invited to direct “Madama Butterfly” for the Indiana University Opera Theater, she could not turn it down.
“It’s my go-to cry opera,” she said.
Koenig has built an impressive resume with more than 30 years in management at the Metropolitan Opera, San Diego Opera and Opera Boston. After directing around the world, she is now nestled in New England as managing director at the Weston Playhouse in Vermont.
The drama about love, loyalty and loss is set in Japan in the early 1900s. It revolves around a U.S. naval officer and the title character, a geisha also known as Cio-Cio.
The IU production opens Nov. 4 to 6 at the Musical Arts Center in Bloomington before taking wing in Indianapolis Nov. 11 and 12. The shows at Clowes Memorial Hall will give Indianapolis audiences the chance to experience the internationally acclaimed IU Opera Theater in their own backyard.
Arthur Fagen, chair of the Department of Orchestral Conducting in the Jacobs School, said working with Koenig on “Madama Butterfly” is an amazing opportunity for IU students, because of the breadth of her professional experience and her willingness to teach.
Fagen has known Koenig since 1986, when they both worked at the Metropolitan Opera in New York. “She really is a top-notch director,” he said.
Koenig “communicates the essence of the opera” and is very aware of how various roles interact, he said.
Fagen also praised her talent for bringing her own viewpoint to an opera without changing anything intrinsically related to the show.
Koenig said each director has to choose operas that fit his or her personality.
In addition to the drama of “Madama Butterfly,” she loves its complex staging opportunities and the beautiful score by Giacomo Puccini.
“It’s a big sing and a lot of acting,” Koenig said.
“Design is creative problem-solving.”
This was one of the major points made by Alexander Julian, an award-winning fashion and home furnishings designer, when he addressed a crowd of School of Art and Design students Oct. 26 at Indiana University Bloomington.
His appearance at the newly renovated Kirkwood Hall was part of The Bill Blass Fashion Design Seminar Series.
“Bill Blass is the reason I’m here,” Julian said.
His words were more than a nod to the lecture series endowed by the Indiana-born designer: “Bill Blass is the reason that all American designers exist.”
He recounted how Blass warmly welcomed him to the rarefied air of the fashion elite, when Julian was a young designer winning his first Coty Award in 1977. Julian would win five of the coveted awards before they were discontinued eight years later.
Through spoken remarks and “Listening to Color,” a video made in conjunction with his 2006 retrospective, Julian related his meteoric rise in men’s fashion, his forays into home furnishings and the recent relaunch of his clothing brand.
On Friday, Oct. 28, the Department of Studio Art will present a night of crafts, exhibitions, interactive art-making, pumpkins and prizes.
The free Open Studios event is designed to be an entertaining way for current students — and potential ones — to learn about classes and programs offered in the School of Art and Design, a part of the College of Arts and Sciences at IU Bloomington.
It’s also a night when members of the public can observe artistry in action and everyone can partake in fall fun at four buildings on the Indiana University campus.
Guests should begin their tour at the Friends of Art Bookshop on the first floor of the Fine Arts Building, where maps and punch cards are available. If visitors get their cards punched at all of the activity areas, they can win prizes in a random drawing.
Here’s a look at the participating art haunts on campus, and a sample of the Halloween treats they have in store:
Post by IU Newsroom intern Amanda N. Marino:
Whether you’re looking for tricks or treats this Halloween, there’s plenty to do at Indiana University Bloomington. Here is just a sampling of the events and exhibitions out there. The full list is so long that it’s scary!
Dennis James Hosts Halloween, 7:30 p.m. Oct. 28 — IU alumnus and world-renowned organist Dennis James will return to IU Auditorium to help bring “The Hunchback of Notre Dame” to life with an organ accompaniment that is both spooky and satisfying.
Two candidates for lieutenant governor in Indiana shared their views on the arts Monday night at the WFIU studios before an audience of about 50 students and other invited guests from the community.
Republican Suzanne Crouch, the current state auditor, and state Rep. Christina Hale, a Democrat, each were granted opportunities to speak separately rather than engage in debate at a very civil forum sponsored by the Arts Administration Program in the School of Public and Environmental Affairs at Indiana University Bloomington.
Karl Tatgenhorst, the Libertarian candidate, did not respond to an invitation to participate.
Both candidates in attendance agreed on the value of art and culture in creating a sense of place and its value in making Indiana a state that attracts young people and top talent to live and work.